The Wanderings Of Nannie's Cutty Sark
Contributed by Alex Kraaijeveld
The story line in Tam O Shanter, based on an old Scottish legend, is that Tam, a farmer, has had a few drinks too many and rides home on his horse one thundery night. As he comes to the decaying Alloway church, it appears to be on fire. Drunk as he is, he isn't afraid:
tipenny, we fear nae evil;
Wi usquabae, we'll face the Devil!
A group of witches dance around the flames. The devil himself plays the pipes and coffins stand around, with the dead holding candles. Astonished, Tam notices one young and beautiful witch among the dancers as they strip off their clothes until dressed only in a short shirt, a 'cutty sark':
cutty sark, o Paisley harn,
That while a lassie she had worn,
In longitude tho sorely scanty,
It was her best, and she was vauntie...
Ah! little kend thy reverend grannie,
That sark she coft for her wee Nannie,
Wi twa pund Scots ('twas a' her riches),
Wad ever grac'd a dance of witches!
Bewitched, Tam watches Nannie dancing until he can't contain himself any more:
And roars out, 'Weel done, Cutty-sark!'
Now aware of his presence,
the witches pursue Tam who gets on his horse and flees for his life. As he
comes to a river, he steers his horse towards the bridge, because witches
can't cross running water. Nannie manages to grab Tam's horse by the tail
with her left hand, but the tail comes off in her hand and Tam escapes.
Several whisky books suggest that the inspiration for Nannie was a friend of the bard called Katie Stein, who was related to the Stein family of whisky fame. However, there is no evidence for such an interesting link between Burns' poem and whisky and Maurice Lindsay (The Burns Encyclopedia) reckons Burns modelled Nannie on Katie Steven, a local fortune-teller and smuggler's accomplice. Maybe Katie worked an illicit still?
Whatever the inspiration for Nannie, she and her cutty sark provided the name and figurehead for what was to become one of the most famous tea clippers: the Cutty Sark.
Built at the Scott & Linton shipyard on the Clyde at Dumbarton, for a contract price of ,16,150, the Cutty Sark was to join in the annual race to bring tea from China to Britain. She was launched November 22, 1869, and set out to challenge the ship-to-beat in the tea races, the Thermopylae. Two on-board traditions kept the link between the ship and the character in Burns' poem very much alive. While in port, an emblem made of metal in the shape of a shirt was carried on the main mast to distinguish the ship from a distance. Also, crew members often made a 'horse tail' from some old pieces of rope which was placed in the figurehead's left hand.
Between 1870 and 1877, the Cutty Sark showed some excellent performances in the tea races. But, although fast, she never set a record or win a head-to-head with the Thermopylae. She carried her last cargo of tea in 1877 and for the next six years carried whatever cargo could make money. Then, in 1883, she began her second career in the Australian wool trade. Here she did beat her old rival, the Thermopylae, and earned herself the reputation as the fastest ship of her time.
In 1895, she was sold to the Portuguese and renamed Ferreira. However, in one way she kept her old name: the nickname given to her by her subsequent crews was pequina camisola, meaning 'little shirt'. She was again sold on in 1920 and renamed Maria do Amparo. In 1922, in a dilapidated state, she was bought from her Portuguese owners by Wilfred Dowman for the sum of ,3,750. He reinstated her original name Cutty Sark. After rerigging she served as a training ship for the Incorporated Thames Nautical Training College. In the 1950s she was donated to the Cutty Sark Society, with the aim of restoring her to her former glory as a tea clipper. A dry dock in Greenwich, London was to become her final mooring place and she is now open to the public as a museum ship. The Cutty Sark may not be the only surviving tea clipper in the world for much longer: as I write this, plans are being drawn up for the restoration of the Cutty Sark's sister ship, the Carrick (built a few years earlier under the name City of Adelaide), whose remains are in an appalling state.
The return of the Cutty Sark under British flag coincided with plans by the London-based wine and spirit merchants Berry Bros. & Rudd to develop a blended whisky, light both in taste and colour, for the American market. Many whisky books tell the story of how they chose the Cutty Sark as the name and emblem for their whisky, how the vivid orange-yellow colour of the label was due to a printer's error, how the whisky was smuggled into America, primarily via the Bahamas (don't forget, it was the 1920s: there was Prohibition there!), and how it became one of the world's leading blends. In a way, Cutty Sark has repaid its debt to the memory of her sailing namesake by sponsoring the annual Tall Ships' Races since 1972.
If it hadn't been for a separation in time, the Cutty Sark and whisky would have been almost neighbours: Dumbarton grain distillery is built on the site of a disused shipyard close to the site of the Scott & Linton shipyard. Whether Cutty Sark contains grain whisky from Dumbarton (or has done so in the past) is one of those questions in the whisky business that will not easily get a definite answer ... Similarly, whether the Cutty Sark ever contained whisky as part of her cargo we may never know. She sailed to bring back tea and wool, but of course was not empty on the voyage out. Capt. Waite, the present master of the Cutty Sark, told me that none of her cargo manifests or bills of lading are known to have survived and all that is known is that she carried 'manufactured goods' on her outward sailings.
From a cutty sark to a dram of Cutty Sark, with more than 200 years between them. I'm pretty sure Rabbie would have been amused to see the wanderings of Nannie's clothes. An intriguing question remains: did the wine and spirit merchants Berry Bros. & Rudd know in 1923 that they were actually naming their whisky after the shirt of a beautiful, scantily-clad witch? The label of Cutty Sark Scots Whisky could have looked very different!!
A slightly different version of this article was published under the title 'Cutty Sark: a scantily-clad witch' in the whisky web-journal "Celtic Spirit" at www.celticmalts.com
© 2008 The Robert Burns World Federation